Black Venus

Black Venus An alternate cover edition can be found here Black Venus also published as Saints and Strangers is an anthology of short fiction Angela Carter takes real people and literary legends most often women

  • Title: Black Venus
  • Author: Angela Carter
  • ISBN: 9780099480716
  • Page: 295
  • Format: Paperback
  • An alternate cover edition can be found here.Black Venus also published as Saints and Strangers , is an anthology of short fiction Angela Carter takes real people and literary legends most often women who have been mythologized or marginalized and recasts them in a new light In a style that is sensual, cerebral, almost hypnotic, The Fall River Axe Murders portraysAn alternate cover edition can be found here.Black Venus also published as Saints and Strangers , is an anthology of short fiction Angela Carter takes real people and literary legends most often women who have been mythologized or marginalized and recasts them in a new light In a style that is sensual, cerebral, almost hypnotic, The Fall River Axe Murders portrays the last hours before Lizzie Borden s infamous act the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house full of locked doors that open only into other rooms with other locked doors In Our Lady of the Massacre the no nonsense voice of an eighteenth century prostitute runaway slave questions who is civilized the Indians or the white men Black Venus gives voice to Charles Baudelaire s Creole mistress, Jeanne Duval you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover s poetry but, that it was a perpetual affront to her He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language The Kiss takes the traditional story of Tamburlaine s wife and gives it a new and refreshing ending Sometimes disquieting, sometimes funny, always thought provoking, Angela Carter s stories offer a feminist revision of images that lie deep in the public psyche.

    Black Venus Jan , Directed by Claude Mulot With Josephine Jacqueline Jones, Jos Antonio Ceinos, Emiliano Redondo, Helga Lin Spanish actor Jose Antonio Ceinos stars as a down and out sculptor, whose inspiration returns with the strange appearance of a beautiful, mysterious black muse. Black Venus Oct , The story of Saartjes Baartman, a Black domestic who, in , left Southern Africa, then ruled by Dutch settlers, for Europe, following her boss Hendrick Caesar , hoping to find fame and Black Venus Venus Noire Rotten Tomatoes A woman turned into a sideshow attraction by those who imagine themselves her superiors struggles to maintain her dignity in this drama based on a true story Sarah Saartjie Baartma Yahima Black Venus Special Edition Blu ray Black Venus is a French drama based on the life of Sarah Baartman Yahima Torres , a year old black domestic South African woman who was taken from her home by her boss, Hendrick Caezar Andre Jacobs to Europe, where she was caged and exhibited in freak shows in the early th century under the name Hottentot Venus. Black Venus film Black Venus French Vnus noire is a French drama film directed by Abdellatif Kechiche.It is based on the life of Sarah Baartman, a Khoikhoi woman who in the early th century was exhibited in Europe under the name Hottentot Venus The film was nominated for the Golden Lion at the th Venice International Film Festival, where it was awarded the Equal Opportunity Award. Sarah Baartman The Black Venus African Heritage I have long wanted to talk about Sarah Baartman, known as the Hottentot Venus or the Black Venus.This Black woman was promised a life of fortune, taken to Europe as a slave to be exhibited naked to men and women around Europe just because of her physique, the physique of a Black woman.

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    About “Angela Carter”

    1. Angela Carter

      Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother As a teenager she battled anorexia She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father Carter attended the University of Bristol where she studied English literature.She married twice, first in 1960 to Paul Carter They divorced after twelve years In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred 1982 that she learnt what it is to be a woman and became radicalised She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks Nine Profane Pieces 1974 , and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman 1972 She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs 1970.She then explored the United States, Asia, and Europe, helped by her fluency in French and German She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia In 1977 Carter married Mark Pearce, with whom she had one son.As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank Two of her fictions have been adapted for the silver screen The Company of Wolves 1984 and The Magic Toyshop 1987 She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf s Orlando, an unproduced screenplay entitled The Christchurch Murders based on the same true story as Peter Jackson s Heavenly Creatures and other works These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts book, Anagrams of Desire 2003.At the time of her death, Carter was embarking on a sequel to Charlotte Bront s Jane Eyre based on the later life of Jane s stepdaughter, Ad le Varens However, only a synopsis survives.Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer Her obituary published in The Observer said, She was the opposite of parochial Nothing, for her, was outside the pale she wanted to know about everything and everyone, and every place and every word She relished life and language hugely, and reveled in the diverse.

    770 thoughts on “Black Venus”

    1. I could not have read this at a better time. I’m contentedly becalmed in Guy Davenport’s Da Vinci’s Bicycle, constantly re-reading the Victor Hugo-in-exile story and marveling at Davenport’s dramatically piquant retelling of the record. (If I were master of a dream-of-history style I would write “General Grant Goes Around the World.”) I love it when books coincide and I loved Angela Carter’s gallery of Lizzie Borden (“The Fall River Axe Murders”), Edgar Allan Poe (“The Cabine [...]

    2. HA! I have not actually read this book, but one particularly angst-filled mid-90's summer of my adolescence I found myself next to a bonfire after, I believe, a particularly angst-filled mid-90's community production of "Little Shop of Horrors." Some girl or something was around the party somewhere, and I could only assume at the time that she was french-kissing madly with some lucky schmuck who (of course) was probably getting to touch her boobs. (Tangent: what I would not give to have touched [...]

    3. Angela Carter's prose is mesmerising an absolute pleasure to read. She straddles the dreamworld between myth and reality, and her writing matches her imagination. Apart from that, all the eight "pieces" (one cannot call them stories, I think) in this slim volume are delightfully unconventional: subversive, if you like. The title story, written from the POV of Baudelier's mistress, portrays her as a simple girl, out to make a living on the mean streets. Whatever persona the poet imposes on her is [...]

    4. Strange selection of stories. My favourite was the reimagining of Lizzie Borden and the days leading up to the Axe Murders. The other stories were too odd. Angela Carter is quite a controversial writer and I'm not sure if I liked this as much as I had dearly hoped.

    5. More when I have time, but for now, I loved this book. I see much more Angela Carter in my near future. While all of the stories are very good, her "Black Venus" just blew me away, along with "The Cabinet of Edgar Allan Poe," and "The Fall River Axe Murders."

    6. In his introduction to Burning Your Boats, the collected stories of Angela Carter, Salman Rushdie says just about everything I would write here if I hadn't read his intro. I've long been an enthusiastic fan of Carter's neo-Gothic/fairy tale collection The Bloody Chamber and I'd browsed through some of her other short stories as well, always finding them fascinating. Although I've heard good things about some of Carter's novels, I've only actually read one (The Infernal Desire Machines of Dr. Hof [...]

    7. Darling Angela,Where have you been all my life? This is the short story collection I would have written were I British, white, blonde, and (sadly) dead. Carter is a so-called postmodern writer, but with a very traditionally sick way of writing, who takes on fairytales and historical oddities with a candid delicacy. Absolutely lovely.Her version of Lizzie Borden and her world is so tactical I was stuck in soot-filled New England for a night, hardly able to breath and looking over my shoulder. And [...]

    8. Let it be known that I love Angela Carter. I love her writing. I love her grotesque sense of humor. I love her gall, her "up-theirs vulgarity," as Margaret Atwood put it. And I have yet to come across a story of Carter's where I don't have to refer to the dictionary at least once. Carter's writing has accrued a reputation, though. She's either a "feminist" writer or a "fairy-tale writer" writer to some. In truth, Carter was a feminist writer, in that she depicted both male and female characters [...]

    9. All but two of these stories are stellar, my particular favourites being the sideways-prequel to Midsummer Night's Dream and the terrifying, Derridean take on Lizzie Borden, positing that the axe murders were inescapable for everyone involved, because they were iconic and historic even before they occurred. No writer stimulates my mind like Angela Carter does. She is endlessly fascinating, exciting, exhausting and entertaining.

    10. Black Venus - Revised Mythsby Helen HagemannI first read Angela Carter at university, and was struck immediately by the engrossing tales and characters she could evoke; as if this kind of writing was a rebirth of Edgar Allan Poe. Of course, I was reading her novella "Love" about a fatal love triangle in provincial Bohemia. Annabel, one of the main protagonists, was interestingly drawn. A kind of naive and young femme fatale, and as we began to study and critique, I learnt of the doomed female; a [...]

    11. This collection was my first exposure to Angela Carter's great stories, back in 1989. Since I'm teaching her this term, I will shortly get reacquainted with her work. My favorite story in this collection is "The Cabinet of Edgar Allan Poe," a metafictional trip into the mind of Poe. "Black Venus," which deals with Charles Baudelaire's black mistress Jeanne Duval, is also notable. Other stories are riffs on Lizzie Borden ("The Fall River Axe Murders") and Shakespeare ("Overture and Incidental Mus [...]

    12. Angela Carter certainly has way with words - the language she uses a lot of times veers on bawdy, yet it always remains beautiful. I wasn't as captivated by Black Venus as I was by The Bloody Chamber, but it is a great collection of short stories. I usually have a lot trouble with the short story format - it's not my favorite for sure - but Angela Carter's short stories hide whole worlds within them. Black Venus, the title story, The Cabinet of Edgar Allan Poe and The Fall River Axe Murders, the [...]

    13. I don't know why people don't enjoy the stories in this book; they are all strong, oblique narratives that carry startling revelations at the core. Personally I like short stories that give me a little jolt, and Carter is brilliant at slowly undressing her ideas from all the layers of language that she manages to put up around them. However, I did get the feeling that she was holding back a bit with these stories. Angela Carter at full-speed is a force to be reckoned with. 'Black Venus' is a ver [...]

    14. My favorite collection of Angela Carter stories that includes the fantastic The Fall River Axe Murders, which brings the semi-conscious blood-dripping Lizzie Borden back to life and places her, axe in hand, in the decaying environment that will facilitate her meteoric rise as murderess extraordinaire. Angela Carter is one of the authors that made me fall in love with language and how it can be used to create remarkably vibrant exquisite set pieces that delve into our deepest joys and fears. Love [...]

    15. Angela Carter is a dark god who simultaneously scares the crap out of me and makes me want to invite her over for tea. The first story, "The Fall River Axe-Murders" about Lizzie Borden and the stifling oppression of women (specifically "old maids") in a puritanical/ patriarchical society will make your head spin in fear and delight!

    16. Question: What would happen if a mad scientist were to mix Shirley Jackson and Joyce Carol Oates' molecules in a test tube? Answer: Angela Carter I've never been able to read anything else she ever wrote. It was too disturbing.

    17. Disappointing. Not Angela Carter's best. The only story that really stood out to me was the one about Lizzie Borden, and even that I felt had more potential than what she coaxed out of it. Clarity is too often sacrificed for (truly) poetic prose.

    18. Aka Black Venus - with a different story order, that's all - this is a beautiful collection of short stories written in a style I can only describe as being like some three-dimensional palette - in colours of greater depth than words it seemed could evoke. Yet Carter does it in every piece. The Kiss was my first, and from then on I was captive, as the Herm to Titania, forever shedding on me the colours of her hems embroidered with the floral 'pinks, yellows and Cambridge blues of them.' Carter i [...]

    19. The stories are a mixed bag for me. I found some confusing and boring, but the story of Lizzie Borden was a knock-out. It really made me feel what it would feel like to live in that time and place in that stifling house with locked doors but no privacy, no plumbing, no air conditioning, wearing corsets and eating badly preserved food. It is a total horror show even though it stops prior to the infamous murders.

    20. I liked this, Carter is masterful with her use of language and the writing is playful and energetic. It was interesting to see how she made these stories relevant to a more modern reader. That said the book's sensibilities feel a little too dated now.

    21. Not top Carter but she is still Mistress of English language. Fascinating, rich, and - unfortunately - "cheerfully" filthy.

    22. *4.5*so, i now need to get my hands on everything angela carter has written. strange, atmospheric, lyricalisted was all great. i know the names of so many female historical and legendary figures, and nothing else about them. carter gives them lives and emotions and their own histories in this collection, and they deserve nothing less.

    23. I absolutely adored this. I fell head-over-heels in love with it. Though fairly brief, my mouth hung agape for much of it, entranced and amazed by Angela Carter's skill as a storyteller as well as a wordsmith. Though, this certainly wasn't the reaction I was expecting based on my early impressions. The first two stories (in my edition, The Fall River Axe Murders and The Kiss, there seems to be some difference between editions and which side of the Atlantic they were published on) were two of my [...]

    24. Saints and Strangers is actual literature, not popular fiction, and, as is the case with most literature, it can be hard work. This book is very, very intelligent, and I would be tempted to do what all literary critics do, and rate it highly because it is obscure, or because I don't understand vast swathes of it, but I won't, I'll be honest. I've given it a three because it's a mixed bag of the sublime and the dull, there are elements of utter obscurity in here that render the point of the tale [...]

    25. I am accustomed to reading short stories a story at a time, but with these I often had to take it a paragraph, even sometimes a sentence, at a time, the prose is so rich, especially in "Overture and Incidental Music," a lush and decadent riff on A Midsummer Night's Dream. Let's see, what were my favorites I was mesmerized by "The Fall River Axe Murders" (Carter makes the August heat palpable, as if it's been stuffed into your mouth, in this "prequel" to the notorious and grisly murders of Lizzie [...]

    26. So far I have only read Angela Carter's the "Magic Toyshop" and "Saints and Strangers," and I have loved every minute of both of these works. I'm going to start reading the "Bloody Chamber" next.I enjoyed these new versions of fables and fairy tales. Carter's strange prose often defamiliarizes within "Saints and Strangers" and the twisted, grotesque stories are stimulating in an alienating way. Many of the short stories make you question current realities and the social constructions that we all [...]

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