Film Theory and Criticism: Introductory Readings

Film Theory and Criticism Introductory Readings Since publication of the first edition in Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film Extensively revised and updated this sixth

  • Title: Film Theory and Criticism: Introductory Readings
  • Author: Leo Braudy
  • ISBN: 9780195158175
  • Page: 473
  • Format: Paperback
  • Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from than a century of thought and writing about the movies Editors Leo Braudy and Marshall Cohen have refSince publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from than a century of thought and writing about the movies Editors Leo Braudy and Marshall Cohen have reformulated the book s sections and their introductions in order to lead students into a rich understanding of what the movies have accomplished, both as individual works and as contributions to what has been called the art form of the twentieth and now twenty first century Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, Andre Bazin, and Christian Metz, among others New essays also strengthen sections dealing with the idea of excess in film, film spectatorship, the horror genre, and feminist criticism Film Theory and Criticism, 6 e, is ideal for undergraduate and graduate courses in film theory and criticism.

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    • Best Read [Leo Braudy] ✓ Film Theory and Criticism: Introductory Readings || [Suspense Book] PDF ✓
      473 Leo Braudy
    • thumbnail Title: Best Read [Leo Braudy] ✓ Film Theory and Criticism: Introductory Readings || [Suspense Book] PDF ✓
      Posted by:Leo Braudy
      Published :2018-09-02T02:29:01+00:00

    About “Leo Braudy”

    1. Leo Braudy

      Leo Braudy is among Americas leading cultural historians and film critics His most recent book, From Chivalry to Terrorism, was named Best of the Best by the Los Angeles Times and a Notable Book of the Year by the New York Times Among his previous books, The Frenzy of Renown Fame and Its History was a finalist for the National Book Critics Circle Award and Jean Renoir The World of His Films was a finalist for the National Book Award Braudys writing has appeared in the New York Times, Harpers, American Film, and Partisan Review He currently is University Professor and Leo S Bing Chair in English and American Literature at the University of Southern California.

    425 thoughts on “Film Theory and Criticism: Introductory Readings”


    1. I'm reading this for a film theory class and the essays are pretty unreadable. Very few are immediately understandable, some are just ridiculous (Mulvey's male gaze theories, for example, though they're probably widely accepted and referred to), and all use incredibly technical language and jargon where they could easily be using colloquial language. (For example: 'dyadic' is used instead of 'binary', 'dual', 'dichotomy', or other more commonly used words. I encountered 'antinomy' and honestly t [...]




    2. Nice variety of essays, from many different time periods and different schools of thought. If you had to own 3 books about film, this would be one of them (Bordwell's book on narration and Stam's book on the history of Film Theory would be the others). Sure, there are "important" film theorists like Bazin that you should get to know, but its better to identify all the major theoretical approaches before getting into one author.


    3. Aaaaaaaah! Had to read this in my third year at uni. I suppose it contains all the significant writings on film from the last 100 years and writes IN DETAIL on all the changes and isms that film criticism has gone through. Doesn't mean that it's enjoyable.







    4. Despite that fact I didn't really read much of it while actually taking the class, I do now. So interesting to see what film really does to us and what we do to film.




    5. An excellent anthology of must-read material from preeminent theorists and critics. It's been my bible for the last six months.



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